Self Portrait in coloured pencil

Showing posts with label pencil. Show all posts
Showing posts with label pencil. Show all posts

Friday, 15 March 2019

Yawning Cub WiP


Yawning Cub, Work in Progress

My latest pencil drawing is a cub yawning as s/he comes out of the den in the morning light. I am using a 2H lead in a mechanical pencil on graphic film. Maybe that is why the 2H comes out so black compared to drawing on paper. I like the smoothness of graphic film and the fact that it doesn’t buckle if it gets damp. As graphic film is translucent, I often colour the drawing on the reverse. If I do it on the reverse of the Yawning Cub, it might solve the problem of colouring the roof of the den. But at the moment I am challenging myself to do it in graphite pencil. 

I have had another challenge this week. I was blending pastel skies and distant hills. I was working on canvas primed with clear Colourfix. (Colourfix is brilliant for mixed media and I am using it to underpaint and sketch portraits in oils.) Colourfix is gritty which is why it holds the pastels. 
Many artists work with pastel on a sandy textured surface but in the past I always worked on Canson Mi-Teintes paper. But the paper absorbs water and buckles which is the main reason that I started working on graphic film. I wonder if I can prime graphic film with Colourfix? I will try it some time. 
Anyway to get back to the gritty surface on the canvas, I was blending the pastel with my finger and it got very red and sore. The next day I used another finger to blend pastel on the next 2 portraits and that finger got very sore. The next day I sacrificed a third finger on a big painting of a boy on his horse. 
After that I decided to preserve my forefinger and look for a solution so I searched for Colour Shapers online. I believe that they are made of silicone. I ordered 2 in finger sizes and another silicone blender which looks good for large areas. 
Time will tell. Today I drew, and did some oil painting. 
I also took Jasper for a walk. We have been kept in by the bad weather and he was beginning to go stir-crazy. Dogs are so valuable to get artists away from the easel and into the fresh air. 

Here are the silicone blenders. The black one is harder than the light grey. I don’t know which is best. 








Friday, 8 March 2019

Portrait of a Caracal, Finished


Portrait of a Caracal, Finished 

I finished the portrait drawing of the caracal and I have started a new drawing of a cub yawning. 
The caracal is drawn in graphite pencil in 2H on graphic film. It is designed to frame in a 5 by 7 inch frame. It took nearly 20 hours to finish because once I had the pencil marks I had to soften them with an eraser. I used a Mono zero elastomer eraser and also putty rubber. 

I had a challenge photographing the “work in progress” through the dark days of winter. I have a very nice Daylight lamp to work at my easel so when it was too dark to take a photograph I naturally turned the light on. But the photo came out striped. It reminded me of how, back in the days of rolls of photographic film and cathode ray tube televisions, to take a photo of a TV screen it was necessary to use 1/60 speed or the picture would come out striped. 

I tried Wikipedia, then Google to search for an explanation of the phenomenon but as I didn’t have a clue about the physics of light, I couldn’t find anything. Then I thought of dogs. I remembered reading many years ago, that dogs couldn’t watch TV comfortably because their vision is faster than ours and they see the flicker. So I googled dogs watching TV and got a result. 

It seems that we humans need 16 to 20 images per second to see the picture but dogs need 70 or the image flickers. 
Well I don’t know how many images per second my iPhone’s camera app is “seeing”, but it wasn’t able to take a smooth photo. I went to look for an app that gave me full control of the speed at which I took photos. I found an app called Yamera. It took a smooth photo at a speed of 128 but not the standard 125. I didn’t try slower speeds as they would have been blurred unless I used a tripod. 

I took a couple of photos this afternoon to show but I didn’t use the new app. I compared natural daylight to my lamp. Here are the photos first with light on then with light off. 
Below is the link to the article about human and dog eyesight. 







Friday, 1 March 2019

Portrait of Caracal: Work in Progress



Portrait of Caracal: Work in Progress 


The main problem with this drawing is the way that the cats keep sitting on it! 

I hope to finish it this weekend. 


I haven’t done much artwork for the last three weeks. It is three weeks today since one of my dogs died (of old age - she was over 15). First there was the burial, then the washing of bedding and toys. 


After that I had someone here building a catio for me. I spent too much time watching and leaving my easel. I tried to draw the caracal in the evenings but, as I wrote above, the cats demanded attention. I think that they missed Bryn so much. She adored the cats and they felt protected by her. 


The catio was finished a week ago. That is, the construction was done, but I had the “landscaping” to do. This involved carrying buckets of soil to build up raised beds. It isn’t finished yet. I am going to have it on two levels. I will grow catnip and oatgrass for Fliss. For myself I have a mini apple tree, and I am thinking of growing strawberries. A catio is a bit like a fruit cage and the strawberries won’t be eaten by the blackbird. They may be eaten by the dog though. Dogs like strawberries. 


Jasper, my other dog, has been trying to find a new dog friend on our walks. I am hoping to get a puppy for him (once I have caught up with my portraits!) Jasper is such a calm and friendly dog that he would be a very good influence on a puppy. 





Saturday, 5 January 2019

Work in Progress: Young Wolf 2


Work in Progress: Young Wolf 2

I took the above photo yesterday and then I started drawing again instead of writing this artblog. So there is quite a lot more of him done since then. 

I have been struggling to get the texture of his fur right. The reference photo was taken back in  November 1999 on film, so it doesn’t have the detail that I can take today even with my phone! 

I have been going over his head again and again, lifting off dots of the graphite pencil with a kneadable eraser, then re-applying using a 2H mechanical pencil trying to get the impression of soft fur with flecks of highlights. 

I so want to get back to this drawing that I will stop writing now. Watch out for an update. 




Friday, 28 December 2018

Work in Progress: Young Wolf


Work in Progress: Young Wolf

It is a long time since I took the photos of this young wolf. He was 6 months old at the time and absolutely delightful. I started his portrait in pastel at the time but then post polio syndrome hit me and I wasn’t able to continue. It was a few years before I recovered sufficiently to take up drawing again. 
But I have always wanted to do this portrait and have started a couple of attempts at it. Now I am determined to draw him at last. 
I am drawing him in mechanical pencil on graphic film as part of a series for an exhibition. As these drawings are small, I can draw sitting on the sofa of an evening. The only extra equipment that I need is something to quickly protect the current drawing from any cat who suddenly decides that they want to jump onto my lap. I bought a pad in a plastic folder that has 5 extra pockets to hold future drawings ready set up. 
I started this drawing a while ago. I had been using a 4B clutch pencil and, now that I have picked it up again, I see that I had made it too dark. So I have been working hard with putty rubber and the Tombow MONO zero eraser and I am happy now with the ear on the left and nearly happy with the top of his head. I drew Jasper’s portrait mainly with a 0.3 2B mechanical pencil and a 0.3 2H mechanical pencil on the “white” areas, so I am blending in the erased areas of this wolf portrait with the 0.3 2H mechanical pencil. 

The portrait of Jasper is finished but I haven’t scanned it yet. 

My last blog showed a photo of my dreadful tiling. I spent Christmas, with much appreciated help from my son, building a kitchen unit and moving furniture upstairs and downstairs. My kitchen is already working better for me though there are still problems to solve. One is the door to the unit. I found the door took up too much room when it was open and also I had trouble with the hinges. I am thinking of sawing the door in half vertically and hinging it so it will be a bifold door. 
The point of the unit is to hold the cat litter trays away from the dogs. The cats are happy with it so that is promising. The top shelf is holding the cat food and a spare bag of cat litter so it is looking promising. 

It would have been nice to start the New Year with everything organised. But it is much easier to cook my dinner in there and that is great. I was so tired of living on sandwiches!

And you can’t see how bad the tiling is. 
(See Fliss in the cardboard box rather than one of the beds! Typical cat.)










Friday, 21 December 2018

Jasper as a Puppy


Jasper as a Puppy

I have been drawing Jasper from an old photo that I took when he was a puppy. He is still as cute!
I am drawing in pencil on graphic film. I use a mechanical pencil with a 0.3 mm 2B lead so I don’t have to spend all my time sharpening a pencil. The lead that I am enjoying using these days is Uni Nano Dia Lead. It has nano-diamonds in it which make it very smooth to draw with. 
I also spend a lot of time using erasers, both kneadable ones and the Tombow MONO eraser which is a retractable eraser that is only 2.3 mms at the business end. Between the fine pencil and the small erasers I can make delicate pencil marks to suggest puppy fur. 
So far I have spent 5 hours on this portrait. Small drawings are not as quick as you might think. 

As well as drawing most days, I have been getting on with the plan for my kitchen alcove. I was expecting to start tiling last Sunday but I had to scrub a patch of black mould and leave it to dry. I didn’t want black mould trapped behind my tiles. So I did the tiling yesterday. The walls are so uneven that I am not worrying about how bad the tiling looks. Most of it will be hidden behind the unit anyway. I am capable of doing decent if not perfect tiling, but I would have had to replaster first to get the walls flat, and I don’t want to lose the time. The whole point of this is to make my kitchen more efficient so I can spend more time drawing and painting. 
The walls are uneven because this house was built back in the 1870s using sandstone from the local quarry. It is poor quality sandstone with lots of inclusions. I think it is referred to as pudding stone. The general effect is that the walls are built of rubble. There are a couple of internal walls made of lath and plaster with horsehair in it. There are the remnants of the old gas lighting if you do a bit of archaeology under the old plaster! 
So here is a photo of the alcove this morning. I have done grouting since, so it looks worse (until I clean it off).










Sunday, 4 November 2018

Difficulties



Difficulties

I didn’t post last week because I had a difficult week and didn’t do any art. 
Everything happened at once. One of my dogs, Bryn, became very ill (her legs collapsed), and my old cat died. On top of that I caught a bad cold. It doesn’t help a person recover from a cold when they are digging a cat’s grave in the rain. 
Instinct told me that the best way for Bryn to recover was to take her for short walks where she had something interesting to sniff. I used a harness with a handle on the back to support her. It worked and she has recovered. 
My cold took a lot longer to recover from. In fact I am still snuffly. There is no way that I can paint with a cold that bad. I was coughing non stop and I can’t paint in pastel when there is danger of it getting spattered. I vividly remember the day that I was painting a mother and child portrait in my dining room. My son was listening to a recording of one of the William stories by Richmal Crompton, and eating a cheese sandwich at the same time. He burst out laughing and sprayed greasy cheese all over my pastel portrait. I had to start the painting again but it was worth it because the second version was much better.  
So instead of fun stuff like painting and drawing, I worked on my end of business year accounts. 
I started thinking of filing. I always want a better way to file my projects and plans. One day I will find a perfect solution. I have digital filing systems but I have a feeling that I will do better with a paper solution. 
I went on my favourite website who stock my favourite notebooks. I ordered lots of notebooks in different sizes and some cards because I think a card index file might work. 
Then I looked at pencil sharpeners. 
I have been buying a lot of different pastel pencils and in the case of one brand in particular, I have a problem with breaking leads. I do drop the pencils a lot. I have a lot of different types of pencil sharpener. In every case the lead broke. I used a craft knife. That was better but it was still stressing the leads. 
I had read about a new design of pencil sharpener made by Caran d’Ache and I wondered if Cult Pens stocked it. And they did! 
So you can see it above. It is so easy to control. I hold the sharpener in my right hand with the pencil in my left, and use my left thumb to push against one fork of the sharpener to stabilise it. 
It is amusing that a new pencil sharpener should be the high spot of my week.

Sunday, 16 April 2017

Drawing of Bryn Finished

 

Portrait Drawing of Bryn

I finished the portrait drawing of Bryn some time ago and immediately became involved in new exciting projects. And not so exciting problems to solve. So I just now posting the finished result. 

I am calling the portrait of Bryn "Elegance". I once had another dog, a crossbred boxer, who had a similar queenly demeanour. But Juno wasn't able to curl up into such a small neat space with her chin resting on her back. Bryn is such a feminine dainty soul who takes a great interest in hair styles (mine) and manicures (hers). She tells Jasper to stand in the corner while I vacuum, and she keeps the cats in order. She is 14 now and I am making the most of every day I still have her. This is why I wanted to commemorate her in this portrait. 

I worked the portrait in graphite pencil on Bristol board. I used mechanical pencils that have a good grip area for great control. But it still took me 57 hours to get that degree of detail. 

The main problem that I have to find a solution for is that I need an easel that I can sit at with my leg up on a stool because it is not yet fully healed. I have easels. I have a great one set up facing a north light but it is set up on a high table and I use it while sitting on an adjustable height stool. There is no way I can rest my leg on a stool! I have a regular studio easel which I have to stand at. The construction makes it impossible to put my leg on a stool with that one. So I spent hours online shopping for easels. I saw one I liked but it takes up a lot of floor space and my house is small. 
Then I remembered I had seen a thing to attach to the back of a drawing board to set it up on a camera tripod. Plenty of space under a tripod for a footstool. I bought that and a lightweight drawing board and I am going to use it to start my next portrait tomorrow. I will be working A3 size which is uncomfortably big for the table easel. I will be working in Acryl gouache which is a gentle medium so the camera tripod should stand up to it nicely. 




Saturday, 25 February 2017

New Portrait of Bryn in Graphite Pencil


It feels like a long time since I did any serious artwork. I have a rash on my left leg that means that I have to sit with my leg on a stool. I found it very difficult to draw with my leg sticking out to the left. It was putting me off balance until I developed some new muscles to compensate!
I also needed to buy a new easel that I could use on the kitchen table. I bought myself an easel that I can tilt and rotate, so that instead of me bending to shade at an angle, I can twist the drawing board round. 
I started drawing this portrait of my old dog, Bryn, last year. She is very grey now so I am using an old photo as reference, but the pose is still so typical of her. She is a very elegant lady. 
I am drawing on Bristol board using mechanical pencils in sizes .3 and .5 in 2B. I love using the pencils which have a special grip area, but, even more, I love using the leads which have nano diamonds so they are blacker than usual because nano diamonds lubricate the lead. 
The piece of card at the bottom of the photo is so I can rest my hand on the surface without getting grease on the drawing. Graphite doesn't stick well to grease. 
Now Bryn's face is drawn, I was thinking that it wouldn't have be long before I finished it, but I forgot about the lovely twirly rosettes of fur on her chest. They will take some time. I am so glad that I bought the new easel!